Tuesday, March 31, 2009
New podcast
Well its actually an old podcast but since the free podcast service was a pile of junk I have decided to put it up on our server instead. It features a whole bunch of dual plover related music including a preview of the new rice corpse album, tracks by deerhoof , danielson family, new waver and a whole bunch of other really good music. Click here to hear it
Thursday, March 26, 2009
Rice屎Corpse : Mrs Rice (2009) CD, pre sales available now.
A Trio of glass, drums and piano was in Lucas’s minds ear when he arrived and two completely different musicians came forward to form this unlikely band. First to be recruited for drums was Yang Yang whose antics in his own band Mafeisan has given him the reputation of being the craziest exponent of the normally conservative Beijing scene. His ultra loud out and proud personality is in stark contrast to the mild mannered and brutally shy saxophonist Li Zenghui who came to the project as pianist, cause simply put there were no suitable pianists in the city.
Existing for a limited time and without a common language to interrupt they managed to create these six varied and strangely focused improvisations. This despondent attempt at musicality is by far Abela’s most accessible work to date as the addition of Yang and Li’s stabbing rhythm section forced the seasoned noisician to take his glass instrument into surprising new directions. Released on conjunction with SUBJAM and made possible with the kind assistance of Asialink and the Australia Council for the Arts.
Justice Yeldham Joins SLOBBERIN' SLAUGHTERSVILLE
Slaughterin' Slobbersville traveling side show of re-enactments of the Genetic Mutant Civil War of 2024? which also features this lot of deranged individuals!!!
Slaughterin' Slobbersville is a traveling showcase of cross-collaborating artists. The show is an ever-changing sequence of first person vignettes hung loosely from the underlying conceptual history of a genetic mutant civil war in 2024. While the story takes place decades into the future, the format and aesthetic borrows heavily from the vaudevillian traveling shows of the past. The artists involved come from a variety of backgrounds - mostly from around the United States. Musically rooted in experimental, computer, noise, cabaret, and spoken word traditions, the artists all share a common passion for combining theater and music into visceral performances that defy expectations.
Costumes and sets are created from refuse and inexpensive materials often found along the journey. This contrasts sharply with highly technical computer driven projections, electronic music and sophisticated conceptual content. Collaborative contributions include the design of project specific software, homemade synthesizers, original compositions, choreography, and story-telling. The dichotomy between the makeshift folk aesthetic and techonology is intentional; causing a suspension of disbelief between order and chaos that helps the viewer integrate with Slobbersville.
Although the core narrative of the show is well defined, the professionalism of the performers allows for a freedom of creative evolution from show to show. This is a central theme of vaudevillian traveling shows and is our motivating factor for undertaking this project. Video documentation throughout the tour will illustrate the unfolding development of Slobbersville and capture the resulting spontaneous collective inventions.
- 25 April Leipzig, Germany - Skala Leipzig
- 26 April Wetzlar, Germany
(Phoebe Kreutz, Jason Trachtenburg, and Ching Chong Song featuring Slobbersville) - 27 April Castrop Rauxel, Germany
(Phoebe Kreutz, Jason Trachtenburg, and Ching Chong Song featuring Slobbersville) - 28 April Munich, Germany - Lothringer 13
- 30 April Krems, Austria - Donau Festival
- 01 May Rotterdam - the WORM
- 02 May Hasselt, Belgium - Kunstencentrum
- 03 May Hamburg, Germany - Golden Pudel
- 07 May Wetzlar, Germany
- 08 May Utrecht - TBC
- 09 May TBC
Wednesday, March 25, 2009
Uk's Sound Projector, Magazine review a batch of our titles.
Sydneysiders Naked On The Vague offer whatever debris came out of The Blood Pressure Sessions, nine deliciously primitive tracks of harsh electro-doom punk played in monotonous ways with thumping bass, plodding drums and demented electronics. A male and female singer pitch their mannered shouty vocals to evince every emotion from bored, nihilistic resignation to a fevered, insane anger. Only in places (’Brown Sun / Sydney Lane Rd’) do these undergrounders approach anything that might fit in with the school of benign psychedelic droning such as their fellow countrymen Brothers of the Occult Sisterhood do so convincingly. Rest of the disc is just packed with good, seething menace. Hard to believe it’s just a duo making all this racket; almost as strong as early Royal Trux.
Toxic Lipstick have released Poopin’, a sickly monster decorated in a garish and excessive cover of elaborate eye-searing collages, while the inserted booklet is a hideous pastiche of teen-girl magazines. 10 of these 11 tracks are ‘classic’ pop-song length, nothing over 2 ½ minutes, and their extremely provocative titles promise much psychological mayhem and wanton sexual hi-jinks, lifting the lid on the obsessions and libido of an imaginary teenager in a stark no-holds-barred manner. It takes some constitution to endure the shrill and squeaky voices which scatter their random vocals over these hyperdriven beats and sick electronic thrashy noises (this record’s contrived cheepniss makes Bow Wow Wow sound like Mozart), but fans of Space Streakings or Melt-Banana will be quids in.
Al Duvall’s Recluses Unite…appears to be an attempt at a Tiny Tim revival, as Brooklyn-based songster Duvall picks up his banjo and sings 17 songs which are freakish pastiches of Edwardian, Music-Hall and early country songs (the sort of material for which Tiny Tim had genuine affection, and he included a vast cache of near-forgotten material in his repertoire). Even the CD label is printed to look like an old 78 disc. Al Duvall’s variant on these genres is to add a slightly more salacious and disreputable streak to these songs with his inventively twisted black-comedy lyrics, throwing in dirty punchlines and shades of modern depravity that our Edwardian ancestors would have blanched at. There’s also however an equally strong streak of utter weirdness and lowbrow surrealism, not too far away from the malarkey of Charles Gocher or Revd Fred Lane. When delivered in Duvall’s deadpan singing voice, this tends to leave a very odd taste in the mouth.
Sissy Spacek’s French Record, extreme as it is, finds this listener on slightly more familiar ground. This John Wiese noise project of long standing includes, for these sessions, Kevin Drumm, C. Spencer Yeh, Kate Hall, Sam Ott and Corydon Ronnau playing in various combinations, resultant tapes quite possibly edited extensively afterwards by Wiese to reduce the whole affair to sonic rubble and cut off any energetic bursts of improvisation at the knees. Much impolite and awkward repellent noise seeps forth, creating the sort of spiky, angular effects that tend to repel most civilians. Another gloriously anti-social release from Wiese."
Vialka review from wayside music
PURPLE DUCK : DUCKSIDE OF THE MOON (2009): CD. available now.
Tracklisting
best MC
duck mafia
cunt dracula
love tampon
do you want to dance all night
when a woman cries
sex falcon 1
Get in shape
Bored
I cannot yeild oil
Cunt Dracula 2
Everyones dying You with the bear
Ants in my pants
Sex falcon 2
Rock vampire
Mating season
Myspace woman
Sex falcon 3
volcanic arse
press play for a preview of 'love tampon'
VIALKA: Succès Planétaire International (2009): CD. available now.
dualpLOVER is proud to release their 5th album Succès Planétaire International (International Worldwide Success). The album’s eight new tracks feature a frenetic interaction between Marylise's syncopated drumming and singing and Eric's orchestral guitar playing, delivered with ecstatic energy, humour, lust for life, and a sophisticated musical language and subliminal connection all their own. It also includes a charming rendition of the old German folk song ‘Hole in the Bucket’, their take on a traditional Shona mbira piece as well as collaborations with François Marcziniak and Cyrielle Faure (tuba and flute), Crank Sturgeon (sonic gesticulations), Andrew Dymond (mbira), and Xiao He (vocals and Hunan pipa). Recorded by Bob Drake at Studio Midi-Pyrénées in December 2008 and January 2009, and delightfully packaged in cardboard gatefold slips adorned with cover art by Rachel Lowther and photos by Wenxi Xiong.
Tracklisting.
premiers Pas
100% Hello
Good Riddance
Do What Now ?
Dutar
Always Against
Hole In The Bucket
press play for a preview of '100% Hello'
NAKED ON THE VAGUE, REPRESSING AND US TOUR.
The album is a deep dive into the depths of apocalyptic pop and psychedelic weirdness. Disparate vocals grip onto stabbing keys and menacing hook-laden bass lines, pushed on by a relentless drum machine, far past its warranty period, giving the whole of their sound a sonorous curtain of ecstatic foreboding. Essentially a ‘punk’ assault ranging from some almost dance-able short and sharp ‘hits’ to gloomy extended freak-outs. Lucy and Mathew take direction from where the short lived no-wave movement ended, expanding on what that imploded scene could have garnished had it not succumbed to its own fatalistic shortcomings.
Now in its second edition as demand for the album increases across the globe, the band are about to descend on their third US tour including a 2nd appearance at the auspicious SXSW festival in Austin.
Naked On The Vague
USA Tour March 2009
7 Mar 2009
The Shank (98 Bayard Street Greenpoint, Brooklyn)
(Make the)Product 2nd Anniv: w/ Blank Dogs, Pink Noise, Gary War, Led Er Est, Silk Flowers
Brooklyn, New York
12 Mar 2009
The Khyber
w/ The Renderers (NZ), PW Long, Pink Reason
Philadelphia, Pennsylvania
14 Mar 2009
Williamsburg Music Hall
w/Crystal Stilts, Women, Blank Dogs, Silk Flowers
Brooklyn, New York
15 Mar 2009
Howlers
w/ Woods, Blank Dogs, Tusk Lord
Pittsburgh, Pennsylvania
16 Mar 2009
The Summit
w/Times New Viking, Woods, Blank Dogs
Columbus, Ohio
17 Mar 2009
The A/V-Aerie
w/Woods, Blank Dogs
Chicago, Illinois
18 Mar 2009
The Love Garden
w/Woods, Blank Dogs
Lawrence, Kansas
19 Mar 2009 (afternoon)
SXSW: Sacred Bones Day Party (non-official) @ Beerland
W/ Blank Dogs, Gary War, Factums, The Pink Noise, Zola Jesus, Dead Luke, Absinthe Minds, Daily Void
Austin, Texas
19 Mar 2009
SXSW: Siltbreeze Showcase @ Soho Lounge
w/ Ratas del Vaticano 8:45 p.m. Eat Skull 9:30 p.m. Hank IV 10:15 p.m. Psychedelic Horseshit 11:00 p.m. Naked On the Vague 11:45 p.m. U.S. Girls 12:30 a.m. Los Llamarada 1:15 a.m. FNU Ronnies
Austin, Texas
23 Mar 2009
Black Market
w/ Blank Dogs, Turpentine Bros.
El Paso, Texas
24 Mar 2009
Trunk Space
w/Oh Sees, Blank Dogs, Eat Skull
Phoenix, Arizona
25 Mar 2009
Soda Bar
w/Eat Skull,Blank Dogs,Christmas Island,Blessure Grave
San Diego, California
26 Mar 2009
Part Time Punks @ Pehrspace
w/ Blank Dogs
Los Angeles, California
27 Mar 2009
Acrobatics Everywhere @ UC Irvine
w/ Blank Dogs
Irvine, California
28 Mar 2009
Luigi’s Fungarden
w/ Blank Dogs
Sacramento, California
29 Mar 2009 (6:00pm)
All Ages Day Show @ The 21 Grand
w/ Blank Dogs
Oakland, California
29 Mar 2009
Knockout
w/ Blank Dogs, Nodzzz, Brilliant Colors
San Francisco, California
30 Mar 2009
Hemlock
w/Dutchess and the Duke and Blank Dogs
San Francisco, California
31 Mar 2009
East End
w/ Blank Dogs, Eat Skull, Meth Teeth
Portland, Oregon
1 Apr 2009
The Northern
w/ Blank Dogs and Little Claw
Olympia, Washington
2 Apr 2009
Funhouse
w/ Blank Dogs, Idle Times
Seattle, Washington
press play for a preview of 'mothers footsteps'
our first blog
therefore this blog will probably have quite a few posts to start with as i ad all the newer updates from the last couple of months that are still relevant before deleting the current affairs page once and for all.